Treatises of Benvenuto Cellini on Goldsmithing and Sculpture
Benvenuto Cellini
Play
Length 7 h 32 min
Chapters 45
First published 1898
Benvenuto Cellini, a 16th century Florentine goldsmith and sculptor, is perhaps better known for his colorful autobiography than his works of art. In his "Trattati", Cellini explains how he made his intricate pieces in gold, such as the salt cellar intended for the table of King Francis I of France, and his monumental sculptures, including the bronze Perseus and Medusa that stands in Florence's Loggia dei Lanzi. Cellini allows himself numerous digressions, so what might in the hands of another author have proved a dry textbook is instead an amusing companion to his "Vita". - Summary by Rob Marland
Chapters
1
Preface: An Introductory Account by the translator, C. R. Ashbee Read by Rob Marland 17:30
2
The Treatise on Goldsmithing: Chapter I. On the Art of Niello Read by Rob Marland 8:33
3
The Treatise on Goldsmithing: Chapter II. On Filigree Work Read by Rob Marland 15:59
4
The Treatise on Goldsmithing: Chapter III. Concerning the Art of Enamel Read by Rob Marland 21:36
5
The Treatise on Goldsmithing: Chapter IV. Jewellery Read by Rob Marland 7:02
6
The Treatise on Goldsmithing: Chapter V. How to Set a Ruby Read by Rob Marland 2:39
7
The Treatise on Goldsmithing: Chapter VI. How to Set an Emerald and a Sapphire Read by Rob Marland 8:58
8
The Treatise on Goldsmithing: Chapter VII. How to Make Foils for All Sorts of Transparent Jewels Read by Rob Marland 8:55
9
The Treatise on Goldsmithing: Chapter VIII. On the Cutting of a Diamond Read by Rob Marland 12:24
10
The Treatise on Goldsmithing: Chapter IX. How You Tint a Diamond Read by Rob Marland 15:12
11
The Treatise on Goldsmithing: Chapter X. How to Give a Diamond its Reflector Read by Rob Marland 4:39
12
The Treatise on Goldsmithing: Chapter XI. About White Rubies and Carbuncles Read by Rob Marland 8:15
13
The Treatise on Goldsmithing: Chapter XII. Minuterie Work Read by Rob Marland 56:45
14
The Treatise on Goldsmithing: Chapter XIII. On Cardinals' Seals Read by Rob Marland 19:10
15
The Treatise on Goldsmithing: Chapter XIV. How to Make Steel Dies for Stamping Coins Read by Rob Marland 16:01
16
The Treatise on Goldsmithing: Chapter XV. About Medals Read by Rob Marland 9:52
17
The Treatise on Goldsmithing: Chapter XVI. How the Before-Mentioned Medals are Struck Read by Rob Marland 4:54
18
The Treatise on Goldsmithing: Chapter XVII. Another Way of Striking Medals with the Screw Read by Rob Marland 4:41
19
The Treatise on Goldsmithing: Chapter XVIII. How to Work in Large Ware, in Gold and Silver and Such Like Read by Rob Marland 1:18
20
The Treatise on Goldsmithing: Chapter XIX. How to Begin Making a Vase Read by Rob Marland 3:28
21
The Treatise on Goldsmithing: Chapter XX. Another and a Better Way of Casting Read by Rob Marland 3:01
22
The Treatise on Goldsmithing: Chapter XXI. Yet Another Furnace, Such a One as I Made in the Castle of St. Angelo at the Time of the Sack of Rome Read by Rob Marland 2:51
23
The Treatise on Goldsmithing: Chapter XXII. How to Fashion Vessels of Gold and Silver, Likewise Figures and Vases, and All that Pertains to that Branch of the Craft called 'Grosseria' Read by Rob Marland 21:08
24
The Treatise on Goldsmithing: Chapter XXIII. Another Method for Gold and Silver in Such Things Read by Rob Marland 2:24
25
The Treatise on Goldsmithing: Chapter XXIV. A Third Method for Similar Things Read by Rob Marland 1:08
26
The Treatise on Goldsmithing: Chapter XXV. Of Figures Made in Silver and Greater than Life Size Read by Rob Marland 15:38
27
The Treatise on Goldsmithing: Chapter XXVI. How to Gild Read by Rob Marland 5:14
28
The Treatise on Goldsmithing: Chapter XXVII. A Recipe for Making Colours and Colouring the Gilded Parts Read by Rob Marland 2:09
29
The Treatise on Goldsmithing: Chapter XXVIII. A Recipe for Making Another Sort of Gilding Colour Read by Rob Marland 2:03
30
The Treatise on Goldsmithing: Chapter XXIX. How to Make a Third Gilding Colour for Very Thick Gilding Read by Rob Marland 2:03
31
The Treatise on Goldsmithing: Chapter XXX. How to Make the Wax for Gilding Read by Rob Marland 1:32
32
The Treatise on Goldsmithing: Chapter XXXI. How to Make Yet Another Colouring Read by Rob Marland 1:14
33
The Treatise on Goldsmithing: Chapter XXXII. The Manner of Applying the Said Colour Read by Rob Marland 1:17
34
The Treatise on Goldsmithing: Chapter XXXIII. What You Do When You Wish to Leave Bare the Silver in Certain Places Read by Rob Marland 2:38
35
The Treatise on Goldsmithing: Chapter XXXIV. How to Make Two Kinds of Aquafortis, One for Parting, the Other for Engraving and Etching Read by Rob Marland 3:21
36
The Treatise on Goldsmithing: Chapter XXXV. How to Make Aquafortis for Parting Read by Rob Marland 2:00
37
The Treatise on Goldsmithing: Chapter XXXVI. How to Make Royal Cement Read by Rob Marland 3:56
38
The Treatise on Sculpture: Chapter I. On the Art of Casting in Bronze Read by Rob Marland 5:22
39
The Treatise on Sculpture: Chapter II. How the Above-Mentioned Clay is Made Read by Rob Marland 2:57
40
The Treatise on Sculpture: Chapter III. Another Method of Casting Figures in Bronze of Life Size or a Little Under Read by Rob Marland 45:28
41
The Treatise on Sculpture: Chapter IV. How to Construct Furnaces for Casting Bronze, Whether for Statues, Ordnance, or Other Such-Like Things Read by Rob Marland 19:32
42
The Treatise on Sculpture: Chapter V. How to Carve Statues or Intaglios, or Other Works, Such as Divers Beasts, in Marble or Other Stones Read by Rob Marland 2:27
43
The Treatise on Sculpture: Chapter VI. Of Carrara Marbles Read by Rob Marland 13:17
44
The Treatise on Sculpture: Chapter VII. A Disquisition on Colossal Statues Whether Moderate or Very Great Read by Rob Marland 5:58
45
The Treatise on Sculpture: Chapter VIII. The Mystery of Making Great Colossi Read by Rob Marland 15:50
From LibriVox, read by volunteers and in the public domain. LibriVox page (opens librivox.org) , the text (opens archive.org) , all files on the Internet Archive (opens archive.org) .
